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ISRC

HKI199247818

Concerto for 2 Mandolins and Strings in G major, RV 532: II. Andante2

Song: CONCERTO FOR 2 MANDOLINS IN G MAJOR, RV. 532: II. ANDANTE

Budapesti VonósokBela SztankovitzZoltán Tokos
unmatchedNot yet matched in the MLC database
Released 1994-11-01

Last verified:

HKI199247818 is the International Standard Recording Code (ISRC) for the recording “Concerto for 2 Mandolins and Strings in G major, RV 532: II. Andante” by Budapesti Vonósok, Bela Sztankovitz, Zoltán Tokos, released 1994-11-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
92Year (1992)
47818Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1992):
Last two digits of the reference year (1992). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Concerto for 2 Mandolins and Strings in G major, RV 532: II. Andante" by Budapesti Vonósok?
The ISRC for "Concerto for 2 Mandolins and Strings in G major, RV 532: II. Andante" by Budapesti Vonósok, Bela Sztankovitz, Zoltán Tokos is HKI199247818.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI199247818?

HKI199247818 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Concerto for 2 Mandolins and Strings in G major, RV 532: II. Andante” by Budapesti Vonósok, Bela Sztankovitz, Zoltán Tokos. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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