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ISRC

HKI199231705

Piano Concerto no. 1 in E-flat: II. Quasi adagio

Song: Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: II. Quasi adagio

Joseph BanowetzSymfonický orchester Slovenského rozhlasuOliver von Dohnányi
Released 1988-01-01

Last verified:

HKI199231705 is the International Standard Recording Code (ISRC) for the recording "Piano Concerto no. 1 in E-flat: II. Quasi adagio" by Joseph Banowetz, Symfonický orchester Slovenského rozhlasu, Oliver von Dohnányi, released 1988-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
92Year (1992)
31705Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1992):
Last two digits of the reference year (1992). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Piano Concerto no. 1 in E-flat: II. Quasi adagio" by Joseph Banowetz?
The ISRC for "Piano Concerto no. 1 in E-flat: II. Quasi adagio" by Joseph Banowetz, Symfonický orchester Slovenského rozhlasu, Oliver von Dohnányi is HKI199231705.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI199231705?

HKI199231705 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Piano Concerto no. 1 in E-flat: II. Quasi adagio" by Joseph Banowetz, Symfonický orchester Slovenského rozhlasu, Oliver von Dohnányi. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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