La dama boba: Overture album cover

ISRC

HKI192100511

La dama boba: Overture2

Song: LA DAMA BOBA 'OVERTURE'

Oviedo FilarmoníaFriedrich Haider
matched
Released 2021-10-22

Last verified:

HKI192100511 is the International Standard Recording Code (ISRC) for the recording “La dama boba: Overture by Oviedo Filarmonía, Friedrich Haider, released 2021-10-22. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by WOLF-FERRARI.

Format

HKCountry
I19Registrant
21Year (2021)
00511Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

WOLF-FERRARIComposer
EMI MILLS MUSIC INC OriginalPublisher100.00%IPI: 00129995030

Who publishes this song?

EMI MILLS MUSIC INCOriginalPublisher
IPI: 00129995030
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "La dama boba: Overture" by Oviedo Filarmonía?
The ISRC for "La dama boba: Overture" by Oviedo Filarmonía, Friedrich Haider is HKI192100511.
Who wrote "La dama boba: Overture"?
"La dama boba: Overture" was written by WOLF-FERRARI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI192100511?

HKI192100511 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “La dama boba: Overture by Oviedo Filarmonía, Friedrich Haider. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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