O salutaris hostia album cover

ISRC

HKI192017103

O salutaris hostia2

Song: O SALUTARIS HOSTIA

Vasari SingersJeremy Backhouse
matched
Released 2020-10-09

Last verified:

HKI192017103 is the International Standard Recording Code (ISRC) for the recording “O salutaris hostia by Vasari Singers, Jeremy Backhouse, released 2020-10-09. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ERIKS ESENVALDS.

Format

HKCountry
I19Registrant
20Year (2020)
17103Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ERIKS ESENVALDSComposer
C. F. PETERS CORPORATION OriginalPublisherIPI: 00024107821

Who publishes this song?

C. F. PETERS CORPORATIONOriginalPublisher
IPI: 00024107821

Credits Graph

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "O salutaris hostia" by Vasari Singers?
The ISRC for "O salutaris hostia" by Vasari Singers, Jeremy Backhouse is HKI192017103.
Who wrote "O salutaris hostia"?
"O salutaris hostia" was written by ERIKS ESENVALDS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI192017103?

HKI192017103 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “O salutaris hostia by Vasari Singers, Jeremy Backhouse. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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