Gigue in G major, K. 574 "Leipziger Gigue" album cover

ISRC

HKI191403608

Gigue in G major, K. 574 "Leipziger Gigue"2

Song: GIGUE IN G MAJOR K. 574

Sang Woo Kang
matched
Released 2014-12-01

Last verified:

HKI191403608 is the International Standard Recording Code (ISRC) for the recording “Gigue in G major, K. 574 "Leipziger Gigue" by Sang Woo Kang, released 2014-12-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by WOLFGANG AMADEUS MOZART.

Format

HKCountry
I19Registrant
14Year (2014)
03608Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

WOLFGANG AMADEUS MOZARTComposerLyricist

Credits Graph

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Gigue in G major, K. 574 "Leipziger Gigue"" by Sang Woo Kang?
The ISRC for "Gigue in G major, K. 574 "Leipziger Gigue"" by Sang Woo Kang is HKI191403608.
Who wrote "Gigue in G major, K. 574 "Leipziger Gigue""?
"Gigue in G major, K. 574 "Leipziger Gigue"" was written by WOLFGANG AMADEUS MOZART.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI191403608?

HKI191403608 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Gigue in G major, K. 574 "Leipziger Gigue" by Sang Woo Kang. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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