As três Marias, no. 2: Alnilam album cover

ISRC

HKI190743804

As três Marias, no. 2: Alnilam2

Song: NO. 2 IN E MAJOR

Sonia Rubinsky
unmatchedNot yet matched in the MLC database

Last verified:

HKI190743804 is the International Standard Recording Code (ISRC) for the recording "As três Marias, no. 2: Alnilam" by Sonia Rubinsky. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
07Year (2007)
43804Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2007):
Last two digits of the reference year (2007). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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MLC Song Code

SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "As três Marias, no. 2: Alnilam" by Sonia Rubinsky?
The ISRC for "As três Marias, no. 2: Alnilam" by Sonia Rubinsky is HKI190743804.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI190743804?

HKI190743804 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "As três Marias, no. 2: Alnilam" by Sonia Rubinsky. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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