ISRC
María del Carmen, Acto III Escena IX: «¡Oh, ven a matarme, ven!» (Javier, Pencho)
Song: María del Carmen: Acto III
Last verified:
HKI190340923 is the International Standard Recording Code (ISRC) for the recording “María del Carmen, Acto III Escena IX: «¡Oh, ven a matarme, ven!» (Javier, Pencho)” by Dante Alcalá, Jesús Suaste, National Philharmonic Orchestra of Belarus, Max Bragado-Darman, released 2016-10-14. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
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HKI190340923 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “María del Carmen, Acto III Escena IX: «¡Oh, ven a matarme, ven!» (Javier, Pencho)” by Dante Alcalá, Jesús Suaste, National Philharmonic Orchestra of Belarus, Max Bragado-Darman. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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National Philharmonic Orchestra of Belarus, Max Bragado-Darman
HKI190340901National Philharmonic Orchestra of Belarus, Max Bragado-Darman
HKI190340914Jesús Suaste, Dianna Veronese, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
HKI190340907Dianna Veronese, Silvia Vazquez, Jesús Suaste, Wexford Festival Opera Chorus, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
HKI190340916Gianfranco Montresor, Jesús Suaste, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
HKI190340922Dianna Veronese, Silvia Vazquez, David Curry, Alberto Arrabal, Alex Ashworth, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
HKI190340807HKI190340923 is the International Standard Recording Code (ISRC) for the recording “María del Carmen, Acto III Escena IX: «¡Oh, ven a matarme, ven!» (Javier, Pencho)” by Dante Alcalá, Jesús Suaste, National Philharmonic Orchestra of Belarus, Max Bragado-Darman, released 2016-10-14. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
