ISRC

HKI190226311

Porgy and Bess: Act II, Scene 2. What You Want Wid Bess?

Song: Porgy and Bess: Act II, Scene II. “Oh, what you want wid Bess?”

Anne BrownTodd DuncanDecca Symphony OrchestraAlexander Smallens
Released 1959-01-01

Last verified:

HKI190226311 is the International Standard Recording Code (ISRC) for the recording "Porgy and Bess: Act II, Scene 2. What You Want Wid Bess?" by Anne Brown, Todd Duncan, Decca Symphony Orchestra, Alexander Smallens, released 1959-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
02Year (2002)
26311Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2002):
Last two digits of the reference year (2002). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Porgy and Bess: Act II, Scene 2. What You Want Wid Bess?" by Anne Brown?
The ISRC for "Porgy and Bess: Act II, Scene 2. What You Want Wid Bess?" by Anne Brown, Todd Duncan, Decca Symphony Orchestra, Alexander Smallens is HKI190226311.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI190226311?

HKI190226311 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Porgy and Bess: Act II, Scene 2. What You Want Wid Bess?" by Anne Brown, Todd Duncan, Decca Symphony Orchestra, Alexander Smallens. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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