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No More Old Men album cover

ISRC

GXHG92506334

No More Old Men2

Song: NO MORE OLD MEN

Chance the RapperJamila Woods
matched

Last verified:

GXHG92506334 is the International Standard Recording Code (ISRC) for the recording “No More Old Men” by Chance the Rapper, Jamila Woods. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by RODNEY ROY JERKINS, CHANCELOR JOHNATHAN BENNETT, JAMILA ABIDEMI WOODS, and others.

Format

GXCountry
HG9Registrant
25Year (2025)
06334Designation
Country:
ISO 3166-1 alpha-2 country code (GX).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCNo More Old Men
IPIRODNEY ROY JERKINS

People also ask

What is the ISRC for "No More Old Men" by Chance the Rapper?
The ISRC for "No More Old Men" by Chance the Rapper, Jamila Woods is GXHG92506334.
Who wrote "No More Old Men"?
"No More Old Men" was written by RODNEY ROY JERKINS, CHANCELOR JOHNATHAN BENNETT, JAMILA ABIDEMI WOODS, JABARI MANU RAYFORD, ANTONIO KEARNY, SHANKAR RAVINDRAN, MACHADO JOSEPH, DEMITRI THOMAS, RHYAN DOUGLAS, MYCKLE COOKE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GXHG92506334?

GXHG92506334 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “No More Old Men” by Chance the Rapper, Jamila Woods. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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