Jutish Medley album cover

ISRC

GBLWD9900808

Jutish Medley2

Song: JUTISH MEDLEY

John LavenderWayne MarshallPenelope Thwaites
matched
Released 1999-01-01

Last verified:

GBLWD9900808 is the International Standard Recording Code (ISRC) for the recording “Jutish Medley by John Lavender, Wayne Marshall, Penelope Thwaites, released 1999-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PERCY GRAINGER.

Format

GBCountry
LWDRegistrant
99Year (1999)
00808Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1999):
Last two digits of the reference year (1999). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

PERCY GRAINGERComposer
G. SCHIRMER, INC. OriginalPublisherIPI: 00027909466

Who publishes this song?

G. SCHIRMER, INC.OriginalPublisher
IPI: 00027909466

Credits Graph

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Jutish Medley" by John Lavender?
The ISRC for "Jutish Medley" by John Lavender, Wayne Marshall, Penelope Thwaites is GBLWD9900808.
Who wrote "Jutish Medley"?
"Jutish Medley" was written by PERCY GRAINGER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBLWD9900808?

GBLWD9900808 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Jutish Medley by John Lavender, Wayne Marshall, Penelope Thwaites. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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