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ISRC

GBLWD0207119

Œdipus Rex: Act II. “Oracula ...” (Jocasta, Œdipus)

Song: Œdipus Rex: Act II. "Oracula ..." (Jocasta, Œdipus)

L’Orchestre de la Suisse RomandeNeeme JärviPeter SvenssonGabriele Schnaut
Released 1993-11-01

Last verified:

GBLWD0207119 is the International Standard Recording Code (ISRC) for the recording "Œdipus Rex: Act II. “Oracula ...” (Jocasta, Œdipus)" by L’Orchestre de la Suisse Romande, Neeme Järvi, Peter Svensson, Gabriele Schnaut, released 1993-11-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
LWDRegistrant
02Year (2002)
07119Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2002):
Last two digits of the reference year (2002). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Œdipus Rex: Act II. “Oracula ...” (Jocasta, Œdipus)" by L’Orchestre de la Suisse Romande?
The ISRC for "Œdipus Rex: Act II. “Oracula ...” (Jocasta, Œdipus)" by L’Orchestre de la Suisse Romande, Neeme Järvi, Peter Svensson, Gabriele Schnaut is GBLWD0207119.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBLWD0207119?

GBLWD0207119 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Œdipus Rex: Act II. “Oracula ...” (Jocasta, Œdipus)" by L’Orchestre de la Suisse Romande, Neeme Järvi, Peter Svensson, Gabriele Schnaut. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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