Only Love Can Hurt Like This album cover

ISRC

GBCAD1400697

Only Love Can Hurt Like This2

Song: ONLY LOVE CAN HURT LIKE THIS

Paloma Faith
matched
Released 2014-11-10

Last verified:

GBCAD1400697 is the International Standard Recording Code (ISRC) for the recording “Only Love Can Hurt Like This by Paloma Faith, released 2014-11-10. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DIANE EVE WARREN.

Format

GBCountry
CADRegistrant
14Year (2014)
00697Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

DIANE EVE WARRENComposer
REALSONGS OriginalPublisher100.00%IPI: 00126506591

Who publishes this song?

REALSONGSOriginalPublisher
IPI: 00126506591

Credits Graph

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Only Love Can Hurt Like This" by Paloma Faith?
The ISRC for "Only Love Can Hurt Like This" by Paloma Faith is GBCAD1400697.
Who wrote "Only Love Can Hurt Like This"?
"Only Love Can Hurt Like This" was written by DIANE EVE WARREN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBCAD1400697?

GBCAD1400697 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Only Love Can Hurt Like This by Paloma Faith. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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