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Guitar Solo (live, Sasso Marconi, Bologna, December 1982) album cover

ISRC

GBBLY2201595

Guitar Solo (live, Sasso Marconi, Bologna, December 1982)2

Song: GUITAR SOLO (LIVE)

Raven
matched
Released 2022-05-27

Last verified:

GBBLY2201595 is the International Standard Recording Code (ISRC) for the recording “Guitar Solo (live, Sasso Marconi, Bologna, December 1982)” by Raven, released 2022-05-27. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JON RAVEN, SCOTT MONIZ, JONATHAN S RAVEN.

Format

GBCountry
BLYRegistrant
22Year (2022)
01595Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Guitar Solo (live, Sasso Marconi, Bologna, December 1982)" by Raven?
The ISRC for "Guitar Solo (live, Sasso Marconi, Bologna, December 1982)" by Raven is GBBLY2201595.
Who wrote "Guitar Solo (live, Sasso Marconi, Bologna, December 1982)"?
"Guitar Solo (live, Sasso Marconi, Bologna, December 1982)" was written by JON RAVEN, SCOTT MONIZ, JONATHAN S RAVEN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBBLY2201595?

GBBLY2201595 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Guitar Solo (live, Sasso Marconi, Bologna, December 1982)” by Raven. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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