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Deep in the Darkest Night album cover

ISRC

GBBAD9500176

Deep in the Darkest Night2

Song: DEEP IN THE DARKEST NIGHT

Rick KempIan KellettRod Clements
unmatchedNot yet matched in the MLC database
Released 1995-01-01

Last verified:

GBBAD9500176 is the International Standard Recording Code (ISRC) for the recording “Deep in the Darkest Night” by Rick Kemp, Ian Kellett, Rod Clements, released 1995-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
BADRegistrant
95Year (1995)
00176Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1995):
Last two digits of the reference year (1995). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

RICK KEMPComposer
PEERMUSIC III LTD OriginalPublisherIPI: 00183126677

Who publishes this song?

PEERMUSIC III LTDOriginalPublisher
IPI: 00183126677

MLC Song Code

D9754M
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "Deep in the Darkest Night" by Rick Kemp?
The ISRC for "Deep in the Darkest Night" by Rick Kemp, Ian Kellett, Rod Clements is GBBAD9500176.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBBAD9500176?

GBBAD9500176 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Deep in the Darkest Night” by Rick Kemp, Ian Kellett, Rod Clements. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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