I AM A WICKED CHILD (GO TO SLEEP) album cover

ISRC

GBAYE0302250

I AM A WICKED CHILD (GO TO SLEEP)

Song: I AM A WICKED CHILD

RADIOHEAD
matched
Released 2003-08-18

Last verified:

GBAYE0302250 is the International Standard Recording Code (ISRC) for the recording "I AM A WICKED CHILD (GO TO SLEEP)" by RADIOHEAD, released 2003-08-18. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by THOMAS EDWARD YORKE, COLIN CHARLES GREENWOOD, JONATHAN RICHARD GUY GREENWOOD, and others.

Format

GBCountry
AYERegistrant
03Year (2003)
02250Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2003):
Last two digits of the reference year (2003). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCI AM A WICKED CHILD (GO TO SLEEP)

People also ask

What is the ISRC for "I AM A WICKED CHILD (GO TO SLEEP)" by RADIOHEAD?
The ISRC for "I AM A WICKED CHILD (GO TO SLEEP)" by RADIOHEAD is GBAYE0302250.
Who wrote "I AM A WICKED CHILD (GO TO SLEEP)"?
"I AM A WICKED CHILD (GO TO SLEEP)" was written by THOMAS EDWARD YORKE, COLIN CHARLES GREENWOOD, JONATHAN RICHARD GUY GREENWOOD, EDWARD JOHN O BRIEN, PHILIP JAMES SELWAY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYE0302250?

GBAYE0302250 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "I AM A WICKED CHILD (GO TO SLEEP)" by RADIOHEAD. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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