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Rigoletto: “Gualtier Maldè! … Caro nome” album cover

ISRC

GBAYC9702288

Rigoletto: “Gualtier Maldè! … Caro nome”

Song: Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo)

Norberto MolaCoro del Teatro alla Scala di MilanoMaria CallasWilliam DickieRenato ErcolaniCarlo FortiOrchestra del Teatro alla Scala di MilanoTullio Serafin
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Released 1986-01-01

Last verified:

GBAYC9702288 is the International Standard Recording Code (ISRC) for the recording "Rigoletto: “Gualtier Maldè! … Caro nome”" by Norberto Mola, Coro del Teatro alla Scala di Milano, Maria Callas, William Dickie, Renato Ercolani, Carlo Forti, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, released 1986-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T-913.242.186-4.

Format

GBCountry
AYCRegistrant
97Year (1997)
02288Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1997):
Last two digits of the reference year (1997). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCRigoletto: “Gualtier Maldè! … Caro nome”
ISWCRigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo)

Musical Work (ISWC)

T-913.242.186-4Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo)

MLC Song Code

R1459P
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SourcesMusicBrainzMLC2 sources

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Related

Other versions of this workView all on iswc.fm

Rigoletto: Act I, Scene 5, Scena ed Aria: "Gualtier Malde ... Caro nome che il mio cor" (Gilda)

Orchestra del Teatro alla Scala di Milano, Rafael Kubelík

DEF056431004

Rigoletto: Act I. Gualtier Maldé...Caro nome

Lina Pagliughi

GBAYC0802412

Rigoletto: Act I, Scene II. “Gualtier Maldé... Caro nome” (Gilda, Borsa, Ceprano, Coro, Marullo)

Michael Reif, Roberto Alagna, Natalie Dessay, Europäischer Kammerchor, Franck Ferrari, Matthew Rose, Concerto Köln, Evelino Pidò

GBAYC0703193

Rigoletto: Act I. Caro nome

Selma Kurz

GBAYC0802325

Rigoletto / Act 2 : "Gualtier Maldè" - "Caro nome"

Pierrette Alarie, Lee Schaenen

DEF055900490

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People also ask

What is the ISRC for "Rigoletto: “Gualtier Maldè! … Caro nome”" by Norberto Mola?
The ISRC for "Rigoletto: “Gualtier Maldè! … Caro nome”" by Norberto Mola, Coro del Teatro alla Scala di Milano, Maria Callas, William Dickie, Renato Ercolani, Carlo Forti, Orchestra del Teatro alla Scala di Milano, Tullio Serafin is GBAYC9702288.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.
Is the ISRC the same as the ISWC?
No. The ISRC identifies a specific recording, while the ISWC identifies the underlying musical composition. GBAYC9702288 is the ISRC for this recording; T-913.242.186-4 is the ISWC for the composition it is a recording of. One composition (ISWC) can have many recordings (ISRCs) — originals, remixes, live versions, and covers each get their own ISRC but share the same ISWC.

What is ISRC GBAYC9702288?

GBAYC9702288 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Rigoletto: “Gualtier Maldè! … Caro nome”" by Norberto Mola, Coro del Teatro alla Scala di Milano, Maria Callas, William Dickie, Renato Ercolani, Carlo Forti, Orchestra del Teatro alla Scala di Milano, Tullio Serafin. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

This recording is linked to the musical work T-913.242.186-4, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.

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