ISRC
Jauchzet Gott in allen Landen, BWV 51: I. Aria “Jauchzet Gott in allen Landen!”2
Song: CANTATA NO. 51: JAUCHZET GOTT IN ALLEN LANDEN
Last verified:
GBAYC9301023 is the International Standard Recording Code (ISRC) for the recording “Jauchzet Gott in allen Landen, BWV 51: I. Aria “Jauchzet Gott in allen Landen!”” by Nancy Argenta, Sonnerie, Monica Huggett, released 1994-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
Unmatched Recording
This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.
Credits Graph
Want songwriter and ownership data?
This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.
GBAYC9301023 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Jauchzet Gott in allen Landen, BWV 51: I. Aria “Jauchzet Gott in allen Landen!”” by Nancy Argenta, Sonnerie, Monica Huggett. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
Learn more about ISRCs · Powered by Notes.fm
John Holloway, Monica Huggett, Catherine Mackintosh, Elizabeth Wilcock, Academy of Ancient Music, Christopher Hogwood
GBF078030712Nancy Argenta, The Schütz Choir of London, The London Classical Players, Sir Roger Norrington
GBAYC9100908GBAYC9301023 is the International Standard Recording Code (ISRC) for the recording “Jauchzet Gott in allen Landen, BWV 51: I. Aria “Jauchzet Gott in allen Landen!”” by Nancy Argenta, Sonnerie, Monica Huggett, released 1994-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
