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Violin Concerto in D, op. 61: I. Allegro ma non troppo (opening) album cover

ISRC

GBAYC8802551

Violin Concerto in D, op. 61: I. Allegro ma non troppo (opening)2

Song: PUBLIC DOMAIN TRACK

Josef SukPhilharmonia OrchestraSir Adrian Boult
unmatchedNot yet matched in the MLC database
Released 2009-01-01

Last verified:

GBAYC8802551 is the International Standard Recording Code (ISRC) for the recording “Violin Concerto in D, op. 61: I. Allegro ma non troppo (opening)” by Josef Suk, Philharmonia Orchestra, Sir Adrian Boult, released 2009-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
88Year (1988)
02551Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1988):
Last two digits of the reference year (1988). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Violin Concerto in D, op. 61: I. Allegro ma non troppo (opening)" by Josef Suk?
The ISRC for "Violin Concerto in D, op. 61: I. Allegro ma non troppo (opening)" by Josef Suk, Philharmonia Orchestra, Sir Adrian Boult is GBAYC8802551.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC8802551?

GBAYC8802551 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Violin Concerto in D, op. 61: I. Allegro ma non troppo (opening)” by Josef Suk, Philharmonia Orchestra, Sir Adrian Boult. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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