ISRC

GBAJE8000290

Spoonie Is Back2

Song: SPOONIE IS BACK

Spoonie Gee
matched
Released 1981-01-01

Last verified:

GBAJE8000290 is the International Standard Recording Code (ISRC) for the recording “Spoonie Is Back by Spoonie Gee, released 1981-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by GABRIEL JACKSON.

Format

GBCountry
AJERegistrant
80Year (1980)
00290Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1980):
Last two digits of the reference year (1980). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

GABRIEL JACKSONComposer
SUGAR HILL MUSIC PUB LTD OriginalPublisherIPI: 00035259878
SONGS OF UNIVERSAL, INC. RightsAdministratorIPI: 00353271280

Who publishes this song?

SUGAR HILL MUSIC PUB LTDOriginalPublisher
IPI: 00035259878
SONGS OF UNIVERSAL, INC.RightsAdministrator
IPI: 00353271280

Credits Graph

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Spoonie Is Back" by Spoonie Gee?
The ISRC for "Spoonie Is Back" by Spoonie Gee is GBAJE8000290.
Who wrote "Spoonie Is Back"?
"Spoonie Is Back" was written by GABRIEL JACKSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAJE8000290?

GBAJE8000290 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Spoonie Is Back by Spoonie Gee. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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