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Mr Dino Koosh Rock album cover

ISRC

GBAJE0100258

Mr Dino Koosh Rock2

Song: MR. DINO KOOSH ROCK

Lee “Scratch” Perry
matched
Released 2002-01-28

Last verified:

GBAJE0100258 is the International Standard Recording Code (ISRC) for the recording “Mr Dino Koosh Rock” by Lee “Scratch” Perry, released 2002-01-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LEE SCRATCH PERRY.

Format

GBCountry
AJERegistrant
01Year (2001)
00258Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2001):
Last two digits of the reference year (2001). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

LEE SCRATCH PERRYComposer
AGELONG MUSIC PUBLISHING INC. OriginalPublisherIPI: 00126327296

Who publishes this song?

AGELONG MUSIC PUBLISHING INC.OriginalPublisher
IPI: 00126327296

Credits Graph

MLC Song Code

M55493
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Mr Dino Koosh Rock" by Lee “Scratch” Perry?
The ISRC for "Mr Dino Koosh Rock" by Lee “Scratch” Perry is GBAJE0100258.
Who wrote "Mr Dino Koosh Rock"?
"Mr Dino Koosh Rock" was written by LEE SCRATCH PERRY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAJE0100258?

GBAJE0100258 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Mr Dino Koosh Rock” by Lee “Scratch” Perry. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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