Conquest of Paradise album cover

ISRC

GBAHS0200210

Conquest of Paradise2

Song: CONQUEST OF PARADISE

Vangelis
matched
Released 1992-01-01

Last verified:

GBAHS0200210 is the International Standard Recording Code (ISRC) for the recording “Conquest of Paradise by Vangelis, released 1992-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by VANGELIS.

Format

GBCountry
AHSRegistrant
02Year (2002)
00210Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2002):
Last two digits of the reference year (2002). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

VANGELISComposer
EMI MUSIC PUB LTD OriginalPublisher0.00%IPI: 00087019563
EMI APRIL MUSIC INC RightsAdministrator100.00%IPI: 00128633767

Who publishes this song?

EMI MUSIC PUB LTDOriginalPublisher
IPI: 00087019563
EMI APRIL MUSIC INCRightsAdministrator
IPI: 00128633767

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Conquest of Paradise" by Vangelis?
The ISRC for "Conquest of Paradise" by Vangelis is GBAHS0200210.
Who wrote "Conquest of Paradise"?
"Conquest of Paradise" was written by VANGELIS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAHS0200210?

GBAHS0200210 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Conquest of Paradise by Vangelis. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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