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Chapitres tournés en tous sens : Le porteur de grosses pierres album cover

ISRC

FRZ140812310

Chapitres tournés en tous sens : Le porteur de grosses pierres2

Song: CHAPITRES TOURNÉS EN TOUS SENS II. LE PORTEUR DE GROSSES PIERRES

Erik SatieAlexandre Tharaud
unmatchedNot yet matched in the MLC database

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FRZ140812310 is the International Standard Recording Code (ISRC) for the recording “Chapitres tournés en tous sens : Le porteur de grosses pierres” by Erik Satie, Alexandre Tharaud. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z14Registrant
08Year (2008)
12310Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ERIK SATIEComposerLyricist

MLC Song Code

CB1B51
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SourcesMusicBrainzMLCMLC3 sources

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People also ask

What is the ISRC for "Chapitres tournés en tous sens : Le porteur de grosses pierres" by Erik Satie?
The ISRC for "Chapitres tournés en tous sens : Le porteur de grosses pierres" by Erik Satie, Alexandre Tharaud is FRZ140812310.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ140812310?

FRZ140812310 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Chapitres tournés en tous sens : Le porteur de grosses pierres” by Erik Satie, Alexandre Tharaud. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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