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  1. Home
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  3. FRZ125701120
Le bal masqué: La dame aveugle album cover

ISRC

FRZ125701120

Le bal masqué: La dame aveugle✓2

Song: BAL MASQUE

Pierre BernacOrchestre de l’Opéra National de ParisLouis Frémaux
matched
Released 1987-01-01

Last verified: August 10, 2026

FRZ125701120 is the International Standard Recording Code (ISRC) for the recording “Le bal masqué: La dame aveugle” by Pierre Bernac, Orchestre de l’Opéra National de Paris, Louis Frémaux, released 1987-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T-004011818-0. Written by MAX JACOB, FRANCIS JEAN MARCEL POULENC.

Format

FRCountry
Z12Registrant
57Year (1957)
01120Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1957):
Last two digits of the reference year (1957). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCLe bal masqué: La dame aveugle
ISWCBAL MASQUE
IPIMAX JACOB

Musical Work (ISWC)

T-004011818-0BAL MASQUE

People also ask

What is the ISRC for "Le bal masqué: La dame aveugle" by Pierre Bernac?+
The ISRC for "Le bal masqué: La dame aveugle" by Pierre Bernac, Orchestre de l’Opéra National de Paris, Louis Frémaux is FRZ125701120.
Who wrote "Le bal masqué: La dame aveugle"?+
"Le bal masqué: La dame aveugle" was written by MAX JACOB, FRANCIS JEAN MARCEL POULENC. The ISWC for this composition is T-004011818-0.
What is an ISRC and what does it tell you?+
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.
Is the ISRC the same as the ISWC?+
No. The ISRC identifies a specific recording, while the ISWC identifies the underlying musical composition. FRZ125701120 is the ISRC for this recording; T-004011818-0 is the ISWC for the composition it is a recording of. One composition (ISWC) can have many recordings (ISRCs) — originals, remixes, live versions, and covers each get their own ISRC but share the same ISWC.

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What is ISRC FRZ125701120?

FRZ125701120 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Le bal masqué: La dame aveugle” by Pierre Bernac, Orchestre de l’Opéra National de Paris, Louis Frémaux. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

This recording is linked to the musical work T-004011818-0, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.

Learn more about ISRCs · Powered by Notes.fm

Who wrote this song?

MAX JACOBComposer
IPI: 00014981189
FRANCIS JEAN MARCEL POULENCComposer
IPI: 00024793378

Which contributors are credited?

0000 0001 2281 7124Francis Poulenc

Identifier Graph

ISRCFRZ125701120ISWCT-004011818-0IPIMAX JACOBIPIFRANCIS JEAN MA…ISNIFrancis Poulenc
SourcesMusicBrainzMLC✓2 sources

Verified on

  • MusicBrainz recording record
Pierre BernacOrchestre de l’Opéra National de ParisLouis Frémaux

FRZ125701120 is the International Standard Recording Code (ISRC) for the recording “Le bal masqué: La dame aveugle” by Pierre Bernac, Orchestre de l’Opéra National de Paris, Louis Frémaux, released 1987-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T-004011818-0. Written by MAX JACOB, FRANCIS JEAN MARCEL POULENC.

Pierre Bernac, Orchestre de l’Opéra National de Paris, Louis Frémaux

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Songwriter profiles

MAX JACOBIPIFRANCIS JEAN MARCEL POULENCIPI