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Maladresse album cover

ISRC

FRZ119502510

Maladresse

Gérard LesneGilles BioteauJean Luc CarminatiSerge EymardLoic GautierYvon KerampranMarc Le DevedecRichard MyronBobby RangellBenoît Weeger
Released 2008-01-01

Last verified:

FRZ119502510 is the International Standard Recording Code (ISRC) for the recording “Maladresse” by Gérard Lesne, Gilles Bioteau, Jean Luc Carminati, Serge Eymard, Loic Gautier, Yvon Kerampran, Marc Le Devedec, Richard Myron, Bobby Rangell, Benoît Weeger, released 2008-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z11Registrant
95Year (1995)
02510Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1995):
Last two digits of the reference year (1995). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Maladresse" by Gérard Lesne?
The ISRC for "Maladresse" by Gérard Lesne, Gilles Bioteau, Jean Luc Carminati, Serge Eymard, Loic Gautier, Yvon Kerampran, Marc Le Devedec, Richard Myron, Bobby Rangell, Benoît Weeger is FRZ119502510.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ119502510?

FRZ119502510 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Maladresse” by Gérard Lesne, Gilles Bioteau, Jean Luc Carminati, Serge Eymard, Loic Gautier, Yvon Kerampran, Marc Le Devedec, Richard Myron, Bobby Rangell, Benoît Weeger. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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