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Concerto n°5 en fa majeur, RV 434: II. Largo e cantabile album cover

ISRC

FRZ110700807

Concerto n°5 en fa majeur, RV 434: II. Largo e cantabile

Song: Concerto in F major, op. 10 no. 5, RV 434: II. Largo e cantabile

Michel DebostOrchestre de chambre de ToulouseLouis Auriacombe

Last verified:

FRZ110700807 is the International Standard Recording Code (ISRC) for the recording "Concerto n°5 en fa majeur, RV 434: II. Largo e cantabile" by Michel Debost, Orchestre de chambre de Toulouse, Louis Auriacombe. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z11Registrant
07Year (2007)
00807Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2007):
Last two digits of the reference year (2007). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Concerto n°5 en fa majeur, RV 434: II. Largo e cantabile" by Michel Debost?
The ISRC for "Concerto n°5 en fa majeur, RV 434: II. Largo e cantabile" by Michel Debost, Orchestre de chambre de Toulouse, Louis Auriacombe is FRZ110700807.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ110700807?

FRZ110700807 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Concerto n°5 en fa majeur, RV 434: II. Largo e cantabile" by Michel Debost, Orchestre de chambre de Toulouse, Louis Auriacombe. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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