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Ar Galon Digorr album cover

ISRC

FRY479700681

Ar Galon Digorr

Song: AR GALON DIGORR

Annie EbrelGilles Le Bigot
unmatchedNot yet matched in the MLC database
Released 2003-01-01

Last verified:

FRY479700681 is the International Standard Recording Code (ISRC) for the recording "Ar Galon Digorr" by Annie Ebrel, Gilles Le Bigot, released 2003-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Y47Registrant
97Year (1997)
00681Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1997):
Last two digits of the reference year (1997). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "Ar Galon Digorr" by Annie Ebrel?
The ISRC for "Ar Galon Digorr" by Annie Ebrel, Gilles Le Bigot is FRY479700681.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRY479700681?

FRY479700681 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Ar Galon Digorr" by Annie Ebrel, Gilles Le Bigot. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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