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La Folie album cover

ISRC

FRUM70600100

La Folie2

Song: FOLIE, LA

Jean-Charles
matched
Released 2013-04-28

Last verified:

FRUM70600100 is the International Standard Recording Code (ISRC) for the recording “La Folie” by Jean-Charles, released 2013-04-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ANTOINE ESSERTIER.

Format

FRCountry
UM7Registrant
06Year (2006)
00100Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2006):
Last two digits of the reference year (2006). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ANTOINE ESSERTIERComposer
RONDOR MUSIC LONDON LTD. OriginalPublisher0.00%IPI: 00628223163
ALMO MUSIC CORPORATION RightsAdministrator100.00%IPI: 00000649518

Who publishes this song?

RONDOR MUSIC LONDON LTD.OriginalPublisher
IPI: 00628223163
ALMO MUSIC CORPORATIONRightsAdministrator
IPI: 00000649518

MLC Song Code

F19036
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "La Folie" by Jean-Charles?
The ISRC for "La Folie" by Jean-Charles is FRUM70600100.
Who wrote "La Folie"?
"La Folie" was written by ANTOINE ESSERTIER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRUM70600100?

FRUM70600100 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “La Folie” by Jean-Charles. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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