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Mon père écoutait du blues toute la journée album cover

ISRC

FRT232200100

Mon père écoutait du blues toute la journée2

Song: MON PERE ECOUTAIT DU BLUES TOUTE LA JOURNEE

Michel Jonasz
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Released 2023-01-27

Last verified:

FRT232200100 is the International Standard Recording Code (ISRC) for the recording “Mon père écoutait du blues toute la journée” by Michel Jonasz, released 2023-01-27. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MICHEL ALAIN JONASZ.

Format

FRCountry
T23Registrant
22Year (2022)
00100Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCMon père écoutait du blues toute la journée
IPIMICHEL ALAIN JONASZ

People also ask

What is the ISRC for "Mon père écoutait du blues toute la journée" by Michel Jonasz?
The ISRC for "Mon père écoutait du blues toute la journée" by Michel Jonasz is FRT232200100.
Who wrote "Mon père écoutait du blues toute la journée"?
"Mon père écoutait du blues toute la journée" was written by MICHEL ALAIN JONASZ.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRT232200100?

FRT232200100 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Mon père écoutait du blues toute la journée” by Michel Jonasz. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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