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Black Shrine (remixed by Waiwan) album cover

ISRC

FRQ389800053

Black Shrine (remixed by Waiwan)2

Song: BLACK SHRINE

Chari Chari
matched
Released 2000-01-01

Last verified:

FRQ389800053 is the International Standard Recording Code (ISRC) for the recording “Black Shrine (remixed by Waiwan)” by Chari Chari, released 2000-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by KAORU INOUE.

Format

FRCountry
Q38Registrant
98Year (1998)
00053Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1998):
Last two digits of the reference year (1998). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

KAORU INOUEComposer
IRVING MUSIC OriginalPublisher100.00%IPI: 00355698807

Who publishes this song?

IRVING MUSICOriginalPublisher
IPI: 00355698807
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Black Shrine (remixed by Waiwan)" by Chari Chari?
The ISRC for "Black Shrine (remixed by Waiwan)" by Chari Chari is FRQ389800053.
Who wrote "Black Shrine (remixed by Waiwan)"?
"Black Shrine (remixed by Waiwan)" was written by KAORU INOUE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRQ389800053?

FRQ389800053 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Black Shrine (remixed by Waiwan)” by Chari Chari. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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