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Pop Goes the Weasel album cover

ISRC

FRP621495220

Pop Goes the Weasel2

Song: POP GOES THE WEASEL

Anthony Newley
matched
Released 1990-01-01

Last verified:

FRP621495220 is the International Standard Recording Code (ISRC) for the recording “Pop Goes the Weasel” by Anthony Newley, released 1990-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by E. CHIPRUT.

Format

FRCountry
P62Registrant
14Year (2014)
95220Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

E. CHIPRUTComposer
SUPER BUBBLE MUSIC CORP OriginalPublisher100.00%IPI: 00202747396

Who publishes this song?

SUPER BUBBLE MUSIC CORPOriginalPublisher
IPI: 00202747396

Credits Graph

MLC Song Code

P03858
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Pop Goes the Weasel" by Anthony Newley?
The ISRC for "Pop Goes the Weasel" by Anthony Newley is FRP621495220.
Who wrote "Pop Goes the Weasel"?
"Pop Goes the Weasel" was written by E. CHIPRUT.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRP621495220?

FRP621495220 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Pop Goes the Weasel” by Anthony Newley. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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