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ISRC

FR50X2292666

Ariane et Bacchus, Acte 3: Duo. Mon cœur ne désire plus rien (Deux songes)

Song: Ariane et Bacchus: Acte III

Mathias VidalHélène CarpentierLe Concert SpirituelHervé Niquet
Released 2023-03-17

Last verified:

FR50X2292666 is the International Standard Recording Code (ISRC) for the recording "Ariane et Bacchus, Acte 3: Duo. Mon cœur ne désire plus rien (Deux songes)" by Mathias Vidal, Hélène Carpentier, Le Concert Spirituel, Hervé Niquet, released 2023-03-17. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
50XRegistrant
22Year (2022)
92666Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Ariane et Bacchus, Acte 3: Duo. Mon cœur ne désire plus rien (Deux songes)" by Mathias Vidal?
The ISRC for "Ariane et Bacchus, Acte 3: Duo. Mon cœur ne désire plus rien (Deux songes)" by Mathias Vidal, Hélène Carpentier, Le Concert Spirituel, Hervé Niquet is FR50X2292666.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR50X2292666?

FR50X2292666 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Ariane et Bacchus, Acte 3: Duo. Mon cœur ne désire plus rien (Deux songes)" by Mathias Vidal, Hélène Carpentier, Le Concert Spirituel, Hervé Niquet. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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