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Ei aika mennyt koskaan palaa album cover

ISRC

FIWMA0900422

Ei aika mennyt koskaan palaa2

Song: EI AIKA MENNYT KOSKAAN PALAA

Pauli Hanhiniemi
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Released 2009-12-07

Last verified:

FIWMA0900422 is the International Standard Recording Code (ISRC) for the recording “Ei aika mennyt koskaan palaa” by Pauli Hanhiniemi, released 2009-12-07. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JUSSI RAITTINEN, THE MUSTANGS.

Format

FICountry
WMARegistrant
09Year (2009)
00422Designation
Country:
ISO 3166-1 alpha-2 country code (FI).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JUSSI RAITTINENComposer
THE MUSTANGSComposer

Credits Graph

MLC Song Code

E4829I
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Ei aika mennyt koskaan palaa" by Pauli Hanhiniemi?
The ISRC for "Ei aika mennyt koskaan palaa" by Pauli Hanhiniemi is FIWMA0900422.
Who wrote "Ei aika mennyt koskaan palaa"?
"Ei aika mennyt koskaan palaa" was written by JUSSI RAITTINEN, THE MUSTANGS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FIWMA0900422?

FIWMA0900422 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Ei aika mennyt koskaan palaa” by Pauli Hanhiniemi. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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