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Premiere Classe (ambient mix) album cover

ISRC

DKAZ71460012

Premiere Classe (ambient mix)2

Song: PREMIERE CLASSE (BONUS TRACK)

The Kenneth Bager ExperienceTuccinelli
matched
Released 2015-12-18

Last verified:

DKAZ71460012 is the International Standard Recording Code (ISRC) for the recording “Premiere Classe (ambient mix)” by The Kenneth Bager Experience, Tuccinelli, released 2015-12-18. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by THOMAS JENSEN, KENNETH BAGER, GIUSEPPE TUCILLO.

Format

DKCountry
AZ7Registrant
14Year (2014)
60012Designation
Country:
ISO 3166-1 alpha-2 country code (DK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCPremiere Classe (ambient mix)
IPITHOMAS JENSEN

People also ask

What is the ISRC for "Premiere Classe (ambient mix)" by The Kenneth Bager Experience?
The ISRC for "Premiere Classe (ambient mix)" by The Kenneth Bager Experience, Tuccinelli is DKAZ71460012.
Who wrote "Premiere Classe (ambient mix)"?
"Premiere Classe (ambient mix)" was written by THOMAS JENSEN, KENNETH BAGER, GIUSEPPE TUCILLO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DKAZ71460012?

DKAZ71460012 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Premiere Classe (ambient mix)” by The Kenneth Bager Experience, Tuccinelli. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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