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Blues for Timme album cover

ISRC

DKARS8700609

Blues for Timme2

Song: BLUES FOR PETER

Mary Lou Williams Trio
unmatchedNot yet matched in the MLC database
Released 1987-01-01

Last verified:

DKARS8700609 is the International Standard Recording Code (ISRC) for the recording "Blues for Timme" by Mary Lou Williams Trio, released 1987-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DKCountry
ARSRegistrant
87Year (1987)
00609Designation
Country:
ISO 3166-1 alpha-2 country code (DK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1987):
Last two digits of the reference year (1987). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

MARY LOU WILLIAMSComposer
CECILIA MUSIC OriginalPublisher0.00%
SOUNDRIGHTS MUSIC RightsAdministrator100.00%IPI: 00466398507

Who publishes this song?

CECILIA MUSICOriginalPublisher
SOUNDRIGHTS MUSICRightsAdministrator
IPI: 00466398507

MLC Song Code

Z23755
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

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People also ask

What is the ISRC for "Blues for Timme" by Mary Lou Williams Trio?
The ISRC for "Blues for Timme" by Mary Lou Williams Trio is DKARS8700609.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DKARS8700609?

DKARS8700609 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Blues for Timme" by Mary Lou Williams Trio. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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