Fuk U in the Ass (Simon Gain & Anders K remix) album cover

ISRC

DK4YA1001403

Fuk U in the Ass (Simon Gain & Anders K remix)2

Song: FUK U IN THE ASS

Morten Hampenberg
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Last verified:

DK4YA1001403 is the International Standard Recording Code (ISRC) for the recording “Fuk U in the Ass (Simon Gain & Anders K remix) by Morten Hampenberg. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CRAIG SIMPKINS, LAMAR HULA MAHONE, KEITH MAYBERRY, and others.

Format

DKCountry
4YARegistrant
10Year (2010)
01403Designation
Country:
ISO 3166-1 alpha-2 country code (DK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Fuk U in the Ass (Simon Gain & Anders K remix)" by Morten Hampenberg?
The ISRC for "Fuk U in the Ass (Simon Gain & Anders K remix)" by Morten Hampenberg is DK4YA1001403.
Who wrote "Fuk U in the Ass (Simon Gain & Anders K remix)"?
"Fuk U in the Ass (Simon Gain & Anders K remix)" was written by CRAIG SIMPKINS, LAMAR HULA MAHONE, KEITH MAYBERRY, ANTHONY STEWART MARTELL.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DK4YA1001403?

DK4YA1001403 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Fuk U in the Ass (Simon Gain & Anders K remix) by Morten Hampenberg. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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