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ISRC

DEU240401231

Walzer Op. 52: Wenn so lind

Song: Liebeslieder-Walzer, op. 52: Nr. 8. Wenn so lind dein Auge mir

Irène KedroffDoda ConradHugues CuénodPaul DerenneMarie-Blanche de PolignacNadia BoulangerDinu Lipatti
Released 1997-04-25

Last verified:

DEU240401231 is the International Standard Recording Code (ISRC) for the recording “Walzer Op. 52: Wenn so lind” by Irène Kedroff, Doda Conrad, Hugues Cuénod, Paul Derenne, Marie-Blanche de Polignac, Nadia Boulanger, Dinu Lipatti, released 1997-04-25. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
U24Registrant
04Year (2004)
01231Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2004):
Last two digits of the reference year (2004). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Walzer Op. 52: Wenn so lind" by Irène Kedroff?
The ISRC for "Walzer Op. 52: Wenn so lind" by Irène Kedroff, Doda Conrad, Hugues Cuénod, Paul Derenne, Marie-Blanche de Polignac, Nadia Boulanger, Dinu Lipatti is DEU240401231.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEU240401231?

DEU240401231 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Walzer Op. 52: Wenn so lind” by Irène Kedroff, Doda Conrad, Hugues Cuénod, Paul Derenne, Marie-Blanche de Polignac, Nadia Boulanger, Dinu Lipatti. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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