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L'Arlésienne Suite No. 2, GB 121b: IV. Farandole (Transcr. for Solo Violin and Orchestra) album cover

ISRC

DEN962335511

L'Arlésienne Suite No. 2, GB 121b: IV. Farandole (Transcr. for Solo Violin and Orchestra)

Daniel Hope & Zürcher Kammerorchester

Last verified:

DEN962335511 is the International Standard Recording Code (ISRC) for the recording “L'Arlésienne Suite No. 2, GB 121b: IV. Farandole (Transcr. for Solo Violin and Orchestra)” by Daniel Hope & Zürcher Kammerorchester. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
N96Registrant
23Year (2023)
35511Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "L'Arlésienne Suite No. 2, GB 121b: IV. Farandole (Transcr. for Solo Violin and Orchestra)" by Daniel Hope & Zürcher Kammerorchester?
The ISRC for "L'Arlésienne Suite No. 2, GB 121b: IV. Farandole (Transcr. for Solo Violin and Orchestra)" by Daniel Hope & Zürcher Kammerorchester is DEN962335511.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEN962335511?

DEN962335511 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “L'Arlésienne Suite No. 2, GB 121b: IV. Farandole (Transcr. for Solo Violin and Orchestra)” by Daniel Hope & Zürcher Kammerorchester. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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