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Earthquaker (Melodymann remix) album cover

ISRC

DELM41803312

Earthquaker (Melodymann remix)2

Song: EARTHQUAKER (MAX PORCELLI REMIX)

Dan McKieStellz
matched
Released 2020-10-28

Last verified:

DELM41803312 is the International Standard Recording Code (ISRC) for the recording “Earthquaker (Melodymann remix)” by Dan McKie, Stellz, released 2020-10-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ALLYSON ANNE MARIE EZELL, MATTHEW JOHN KER, JOAO NUNO SOARES PEREIRA.

Format

DECountry
LM4Registrant
18Year (2018)
03312Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCEarthquaker (Melodymann remix)
IPIALLYSON ANNE MARIE EZELL

People also ask

What is the ISRC for "Earthquaker (Melodymann remix)" by Dan McKie?
The ISRC for "Earthquaker (Melodymann remix)" by Dan McKie, Stellz is DELM41803312.
Who wrote "Earthquaker (Melodymann remix)"?
"Earthquaker (Melodymann remix)" was written by ALLYSON ANNE MARIE EZELL, MATTHEW JOHN KER, JOAO NUNO SOARES PEREIRA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DELM41803312?

DELM41803312 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Earthquaker (Melodymann remix)” by Dan McKie, Stellz. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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