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Turandot: Atto II, scena 2. “Guizza al pari di fiamma” (Turandot) album cover

ISRC

DEF058140144

Turandot: Atto II, scena 2. “Guizza al pari di fiamma” (Turandot)2

Song: Turandot: Atto II, scena 2. “Guizza al pari di fiamma” (Turandot, Altoum, La folla, Liù, Calaf, Sapienti)

Chor der Wiener StaatsoperPlácido DomingoBarbara HendricksPiero de PalmaKatia RicciarelliWiener PhilharmonikerHerbert von Karajan
matched
Released 1982-01-01

Last verified:

DEF058140144 is the International Standard Recording Code (ISRC) for the recording "Turandot: Atto II, scena 2. “Guizza al pari di fiamma” (Turandot)" by Chor der Wiener Staatsoper, Plácido Domingo, Barbara Hendricks, Piero de Palma, Katia Ricciarelli, Wiener Philharmoniker, Herbert von Karajan, released 1982-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T0050008382.

Format

DECountry
F05Registrant
81Year (1981)
40144Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1981):
Last two digits of the reference year (1981). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTurandot: Atto II, scena 2. “Guizza al pari di fiamma” (Turandot)
ISWCTurandot: Atto II, scena 2. “Guizza al pari di fiamma” (Turandot, Altoum, La folla, Liù, Calaf, Sapienti)

Musical Work (ISWC)

T0050008382Turandot: Atto II, scena 2. “Guizza al pari di fiamma” (Turandot, Altoum, La folla, Liù, Calaf, Sapienti)

MLC Song Code

TE7QNQ
Verify on MLC Portal →
SourcesMusicBrainzMLCNotes3 sources

Verified on

Related

Other versions of this workView all on iswc.fm

TURANDOT (SUNG IN ENGLISH), ACT I: DON'T CRY FOR ME, LIU (THE UNKNOWN PRINCE, LIU, TIMUR)

GBLWD0211311

TURANDOT (SUNG IN ENGLISH), ACT I: I. BEG YOU, HEAR ME (LIU)

GBLWD0211310

TURANDOT (SUNG IN ENGLISH), ACT I: WHY SO MUCH NOISE? (PING, THE UNKNOWN PRINCE, PANG, PONG, TIMUR, CHORUS)

GBLWD0211308

"TURANDOT, ACT III: ""CHE È MAI DI ME?"" (TURANDOT)"

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TURANDOT (SUNG IN ENGLISH), ACT I: NIGHTS WITHOUT A GLEAM OF STARLIGHT ...(PANG, PONG, PING, THE UNKNOWN PRINCE, TIMUR, CHORUS)

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People also ask

What is the ISRC for "Turandot: Atto II, scena 2. “Guizza al pari di fiamma” (Turandot)" by Chor der Wiener Staatsoper?
The ISRC for "Turandot: Atto II, scena 2. “Guizza al pari di fiamma” (Turandot)" by Chor der Wiener Staatsoper, Plácido Domingo, Barbara Hendricks, Piero de Palma, Katia Ricciarelli, Wiener Philharmoniker, Herbert von Karajan is DEF058140144.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.
Is the ISRC the same as the ISWC?
No. The ISRC identifies a specific recording, while the ISWC identifies the underlying musical composition. DEF058140144 is the ISRC for this recording; T0050008382 is the ISWC for the composition it is a recording of. One composition (ISWC) can have many recordings (ISRCs) — originals, remixes, live versions, and covers each get their own ISRC but share the same ISWC.

What is ISRC DEF058140144?

DEF058140144 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Turandot: Atto II, scena 2. “Guizza al pari di fiamma” (Turandot)" by Chor der Wiener Staatsoper, Plácido Domingo, Barbara Hendricks, Piero de Palma, Katia Ricciarelli, Wiener Philharmoniker, Herbert von Karajan. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

This recording is linked to the musical work T0050008382, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.

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