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ISRC

DEF056801450

Two Poems for Chorus on Words of Kenneth Patchen: 1. O Now the Drenched Land Wakes

Chor des Norddeutschen Rundfunks HamburgHelmut Franz
Released 1968-01-01

Last verified:

DEF056801450 is the International Standard Recording Code (ISRC) for the recording "Two Poems for Chorus on Words of Kenneth Patchen: 1. O Now the Drenched Land Wakes" by Chor des Norddeutschen Rundfunks Hamburg, Helmut Franz, released 1968-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
68Year (1968)
01450Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1968):
Last two digits of the reference year (1968). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Two Poems for Chorus on Words of Kenneth Patchen: 1. O Now the Drenched Land Wakes" by Chor des Norddeutschen Rundfunks Hamburg?
The ISRC for "Two Poems for Chorus on Words of Kenneth Patchen: 1. O Now the Drenched Land Wakes" by Chor des Norddeutschen Rundfunks Hamburg, Helmut Franz is DEF056801450.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF056801450?

DEF056801450 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Two Poems for Chorus on Words of Kenneth Patchen: 1. O Now the Drenched Land Wakes" by Chor des Norddeutschen Rundfunks Hamburg, Helmut Franz. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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