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Book I: Prelude & Fugue II in C minor, BWV 847 album cover

ISRC

DEF055030002

Book I: Prelude & Fugue II in C minor, BWV 8472

Song: PUBLIC DOMAIN TRACK

Walter Gieseking
matched
Released 2017-07-21

Last verified:

DEF055030002 is the International Standard Recording Code (ISRC) for the recording “Book I: Prelude & Fugue II in C minor, BWV 847” by Walter Gieseking, released 2017-07-21. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PUBLIC DOMAIN.

Format

DECountry
F05Registrant
50Year (1950)
30002Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1950):
Last two digits of the reference year (1950). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCBook I: Prelude & Fugue II in C minor, BWV 847
IPIPUBLIC DOMAIN

People also ask

What is the ISRC for "Book I: Prelude & Fugue II in C minor, BWV 847" by Walter Gieseking?
The ISRC for "Book I: Prelude & Fugue II in C minor, BWV 847" by Walter Gieseking is DEF055030002.
Who wrote "Book I: Prelude & Fugue II in C minor, BWV 847"?
"Book I: Prelude & Fugue II in C minor, BWV 847" was written by PUBLIC DOMAIN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF055030002?

DEF055030002 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Book I: Prelude & Fugue II in C minor, BWV 847” by Walter Gieseking. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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