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Piano Concerto no. 25 in C major, K. 503: II. Andante album cover

ISRC

DEA809510302

Piano Concerto no. 25 in C major, K. 503: II. Andante2

Song: PUBLIC DOMAIN TRACK

Sviatoslav RichterOrchestra di Padova e del VenetoYuri Bashmet
unmatchedNot yet matched in the MLC database
Released 2005-01-01

Last verified:

DEA809510302 is the International Standard Recording Code (ISRC) for the recording “Piano Concerto no. 25 in C major, K. 503: II. Andante” by Sviatoslav Richter, Orchestra di Padova e del Veneto, Yuri Bashmet, released 2005-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
A80Registrant
95Year (1995)
10302Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1995):
Last two digits of the reference year (1995). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Piano Concerto no. 25 in C major, K. 503: II. Andante" by Sviatoslav Richter?
The ISRC for "Piano Concerto no. 25 in C major, K. 503: II. Andante" by Sviatoslav Richter, Orchestra di Padova e del Veneto, Yuri Bashmet is DEA809510302.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEA809510302?

DEA809510302 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Piano Concerto no. 25 in C major, K. 503: II. Andante” by Sviatoslav Richter, Orchestra di Padova e del Veneto, Yuri Bashmet. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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