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ISRC

CZA167913112

Jenufa, JW I/4, Act II: “Mamičko, mám těžkou hlavu – Zdrávas královno” (Jenůfa)

Gabriela BeňačkováBrno Janácek Opera OrchestraFrantišek Jílek
Released 2023-08-25

Last verified:

CZA167913112 is the International Standard Recording Code (ISRC) for the recording "Jenufa, JW I/4, Act II: “Mamičko, mám těžkou hlavu – Zdrávas královno” (Jenůfa)" by Gabriela Beňačková, Brno Janácek Opera Orchestra, František Jílek, released 2023-08-25. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

CZCountry
A16Registrant
79Year (1979)
13112Designation
Country:
ISO 3166-1 alpha-2 country code (CZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1979):
Last two digits of the reference year (1979). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Jenufa, JW I/4, Act II: “Mamičko, mám těžkou hlavu – Zdrávas královno” (Jenůfa)" by Gabriela Beňačková?
The ISRC for "Jenufa, JW I/4, Act II: “Mamičko, mám těžkou hlavu – Zdrávas královno” (Jenůfa)" by Gabriela Beňačková, Brno Janácek Opera Orchestra, František Jílek is CZA167913112.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CZA167913112?

CZA167913112 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Jenufa, JW I/4, Act II: “Mamičko, mám těžkou hlavu – Zdrávas královno” (Jenůfa)" by Gabriela Beňačková, Brno Janácek Opera Orchestra, František Jílek. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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