Antienne Nunc aperuit / intonation psaume Laetatus sum / Diwan 464, L’union / reprise Nunc aperuit album cover

ISRC

CHD022015004

Antienne Nunc aperuit / intonation psaume Laetatus sum / Diwan 464, L’union / reprise Nunc aperuit

Flores Harmonici
Released 2021-06-04

Last verified:

CHD022015004 is the International Standard Recording Code (ISRC) for the recording “Antienne Nunc aperuit / intonation psaume Laetatus sum / Diwan 464, L’union / reprise Nunc aperuit by Flores Harmonici, released 2021-06-04. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

CHCountry
D02Registrant
20Year (2020)
15004Designation
Country:
ISO 3166-1 alpha-2 country code (CH).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Antienne Nunc aperuit / intonation psaume Laetatus sum / Diwan 464, L’union / reprise Nunc aperuit" by Flores Harmonici?
The ISRC for "Antienne Nunc aperuit / intonation psaume Laetatus sum / Diwan 464, L’union / reprise Nunc aperuit" by Flores Harmonici is CHD022015004.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CHD022015004?

CHD022015004 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Antienne Nunc aperuit / intonation psaume Laetatus sum / Diwan 464, L’union / reprise Nunc aperuit by Flores Harmonici. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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