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Le son du temps qui nous dépasse album cover

ISRC

CAEXF2100102

Le son du temps qui nous dépasse2

Song: LE SON DU TEMPS QUI NOUS DEPASSE

Jérôme Minière
matched
Released 2022-08-22

Last verified:

CAEXF2100102 is the International Standard Recording Code (ISRC) for the recording “Le son du temps qui nous dépasse” by Jérôme Minière, released 2022-08-22. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MINIERE JEROME ROBERT MATHIEU.

Format

CACountry
EXFRegistrant
21Year (2021)
00102Designation
Country:
ISO 3166-1 alpha-2 country code (CA).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

MINIERE JEROME ROBERT MATHIEUComposerLyricist

Credits Graph

MLC Song Code

LF6QYH
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Le son du temps qui nous dépasse" by Jérôme Minière?
The ISRC for "Le son du temps qui nous dépasse" by Jérôme Minière is CAEXF2100102.
Who wrote "Le son du temps qui nous dépasse"?
"Le son du temps qui nous dépasse" was written by MINIERE JEROME ROBERT MATHIEU.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CAEXF2100102?

CAEXF2100102 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Le son du temps qui nous dépasse” by Jérôme Minière. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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