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Wie lieblich sind auf den Bergen, JLB 6: II. Nunmehr ist Heil und Kraft album cover

ISRC

BER182448264

Wie lieblich sind auf den Bergen, JLB 6: II. Nunmehr ist Heil und Kraft

Song: Wie lieblich sind auf den Bergen, JLB 6: II. Recitativo. “Nunmehr ist Heil und Kraft”

Carine TinneyCapella SollertiaJohanna Soller

Last verified:

BER182448264 is the International Standard Recording Code (ISRC) for the recording “Wie lieblich sind auf den Bergen, JLB 6: II. Nunmehr ist Heil und Kraft” by Carine Tinney, Capella Sollertia, Johanna Soller. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

BECountry
R18Registrant
24Year (2024)
48264Designation
Country:
ISO 3166-1 alpha-2 country code (BE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Wie lieblich sind auf den Bergen, JLB 6: II. Nunmehr ist Heil und Kraft" by Carine Tinney?
The ISRC for "Wie lieblich sind auf den Bergen, JLB 6: II. Nunmehr ist Heil und Kraft" by Carine Tinney, Capella Sollertia, Johanna Soller is BER182448264.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BER182448264?

BER182448264 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Wie lieblich sind auf den Bergen, JLB 6: II. Nunmehr ist Heil und Kraft” by Carine Tinney, Capella Sollertia, Johanna Soller. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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