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Ach bleib bei uns, Herr Jesu Christ album cover

ISRC

BER181840101

Ach bleib bei uns, Herr Jesu Christ2

Song: ACH BLEIB BEI UNS, HERR JESU CHRIST

Vox LuminisLionel Meunier
matched
Released 2019-06-14

Last verified:

BER181840101 is the International Standard Recording Code (ISRC) for the recording “Ach bleib bei uns, Herr Jesu Christ” by Vox Luminis, Lionel Meunier, released 2019-06-14. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOHANN SEBASTIAN BACH, RALPH VAUGHAN WILLIAMS.

Format

BECountry
R18Registrant
18Year (2018)
40101Designation
Country:
ISO 3166-1 alpha-2 country code (BE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCAch bleib bei uns, Herr Jesu Christ
IPIJOHANN SEBASTIAN BACH

People also ask

What is the ISRC for "Ach bleib bei uns, Herr Jesu Christ" by Vox Luminis?
The ISRC for "Ach bleib bei uns, Herr Jesu Christ" by Vox Luminis, Lionel Meunier is BER181840101.
Who wrote "Ach bleib bei uns, Herr Jesu Christ"?
"Ach bleib bei uns, Herr Jesu Christ" was written by JOHANN SEBASTIAN BACH, RALPH VAUGHAN WILLIAMS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BER181840101?

BER181840101 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Ach bleib bei uns, Herr Jesu Christ” by Vox Luminis, Lionel Meunier. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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