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Fantaisie, op. 79: i. Andantino album cover

ISRC

BE0111200035

Fantaisie, op. 79: i. Andantino2

Song: ANDANTINO (FROM 'FANTASIE FOR FLUTE AND PIANO', OP. 79)

Toon FretVeronika Iltchenko
matched
Released 2012-08-25

Last verified:

BE0111200035 is the International Standard Recording Code (ISRC) for the recording “Fantaisie, op. 79: i. Andantino” by Toon Fret, Veronika Iltchenko, released 2012-08-25. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by G. FAURE, L. MOYSE.

Format

BECountry
011Registrant
12Year (2012)
00035Designation
Country:
ISO 3166-1 alpha-2 country code (BE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

G. FAUREComposer
L. MOYSEComposer
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Fantaisie, op. 79: i. Andantino" by Toon Fret?
The ISRC for "Fantaisie, op. 79: i. Andantino" by Toon Fret, Veronika Iltchenko is BE0111200035.
Who wrote "Fantaisie, op. 79: i. Andantino"?
"Fantaisie, op. 79: i. Andantino" was written by G. FAURE, L. MOYSE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BE0111200035?

BE0111200035 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Fantaisie, op. 79: i. Andantino” by Toon Fret, Veronika Iltchenko. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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