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ISRC

AUYP00820088

Don’t Stand So Close to the Window2

Song: DON'T STAND SO CLOSE TO THE WINDOW

Paul Kelly and the Coloured Girls
matched
Released 1987-01-01

Last verified:

AUYP00820088 is the International Standard Recording Code (ISRC) for the recording "Don’t Stand So Close to the Window" by Paul Kelly and the Coloured Girls, released 1987-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PAUL KELLY, ALEXANDER MCGREGOR.

Format

AUCountry
YP0Registrant
08Year (2008)
20088Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCDon’t Stand So Close to the Window
IPIPAUL KELLY

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Songwriter profiles

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People also ask

What is the ISRC for "Don’t Stand So Close to the Window" by Paul Kelly and the Coloured Girls?
The ISRC for "Don’t Stand So Close to the Window" by Paul Kelly and the Coloured Girls is AUYP00820088.
Who wrote "Don’t Stand So Close to the Window"?
"Don’t Stand So Close to the Window" was written by PAUL KELLY, ALEXANDER MCGREGOR.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUYP00820088?

AUYP00820088 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Don’t Stand So Close to the Window" by Paul Kelly and the Coloured Girls. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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