ISRC
AUMEV2525419
FOR THE DANCING AND THE DREAMING (FROM 'HOW TO TRAIN YOUR DRAGON')
Song: FOR THE DANCING AND THE DREAMING
Last verified:
AUMEV2525419 is the International Standard Recording Code (ISRC) for the recording "FOR THE DANCING AND THE DREAMING (FROM 'HOW TO TRAIN YOUR DRAGON')". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T9159315487.
Format
- Country:
- ISO 3166-1 alpha-2 country code (AU).
- Registrant:
- 3-character code identifying the label or distributor that assigned this ISRC.
- Year (2025):
- Last two digits of the reference year (2025). Years < 50 are 21st century.
- Designation:
- Unique 5-digit code assigned by the registrant for this specific recording.
Credit Chain
Verified on
Related
Other versions of this workView all on iswc.fm
For the Dancing and the Dreaming
The Hound + The Fox, Taylor Davis
USE830934526
For the Dancing and the Dreaming (From “How to Train Your Dragon 2”) - Instrumental
The Stereoscopic Orchestra
GBW2K1115280
For the Dancing and the Dreaming (From "How to Train Your Dragon 2")
Lizz Robinett
QM4DW1573983
For the Dancing and the Dreaming
Jonathan Young
QM4DW1604973
For the Dancing and the Dreaming
Gerard Butler, Craig Ferguson, Mary Jane Wells
US6LQ0900868
People also ask
What is ISRC AUMEV2525419?
AUMEV2525419 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "FOR THE DANCING AND THE DREAMING (FROM 'HOW TO TRAIN YOUR DRAGON')". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
This recording is linked to the musical work T9159315487, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.
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